《情感美学与近代文本文化的兴起 英国漫长的18世纪文学文化研究》简介
《情感美学与近代文本文化的兴起 英国漫长的18世纪文学文化研究》这本书是由.姜文涛著创作的,《情感美学与近代文本文化的兴起 英国漫长的18世纪文学文化研究》共有41章节
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Acknowledgements
This book comes from my dissertation work conducted at the Department of Compara
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I.i.Terminology of Emotion, and Writing as Medium ...
This current writing takes words like “emotion,”“passion,”“feeling,”“affect,”“se
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I.ii.Etymological History of Sentiment and Its Inw...
An etymological inquiry of the word “sentiment”in the direction to its theatrica
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I.iii.Sentimentality, and Its Relevance with the R...
The argument of this section is that the inwardness[41] of feelings, sentiments
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I.iv.Sympathy as Moral Sentiment, Interiority, and...
It is in this cluster of problems that we situate theories of sentiments in thei
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Chapter II Rhetoric and the Rise of Modern Aesthet...
No man, in his senses, ever thought of applying his eyes to discover what passes
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II.i.Sympathy, Description and Its Sounding Econom...
This current writing starts with Edmund Burke’s aesthetics of the sublime in the
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II.ii.Rhetoric, History and French Revolution
It is helpful to recall that rhetoric in antiquity assumed the primacy of speech
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II.iii.Body Economy of Sentiment and Somatic Aesth...
Burke’s view of language reflects a formula of clarity as impediment to communic
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II.iv.Sentiment, Immediacy, and Ekphrasis
Burke assigns this reliance on feeling—“the contagion of our passions,”as a mean
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II.v.Print, Communication of Feelings, and Reformu...
If print, in Burke and Condorcet’s time, was still an art, “in the special sense
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II.vi.Tradition, Class, and Sympathy of the Other
Here is another example.This is from a section entitled “Examples that WORDS may
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II.vii.Empiricism, Physiological Effect of Sensibi...
In the Preface to the first edition of the Enquiry, Burke writes that the confus
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II.vii.Emotional Immediacy:Its Fate
There is no significant critical attention from Burke on the necessity for a wel
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III.i.Sympathy, History and Writing
Adela Pinch argues that for most middle and late eighteenth-century aesthetic th
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III.ii.Theatrical Presence in Print Medium and Mas...
In this sense, “sympathy,”for Hume, refers to a feeling as well as a principle o
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III.iii.Personal History of Writing in a Grammatic...
This strategy is also manifested in the autobiographic piece “My Own Life,”the l
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III.iv.Causation in Print Medium as Empirical Phil...
What remains of significance for Hume is that of “relation of causation.”It is n
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III.v.Affective Property and Literary Copyright in...
A “physicist of emotions[47],”Hume puts his economy of identities in the light o
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IV.i.Man of Feeling and Romanticism in a History o...
The expressive mode of emotion in Western modernity gives rise to anxieties abou
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IV.ii.Sensibility as Gendered, Authenticity, and t...
In the eighteenth century, as Michel Foucault suggests: The entire female body i
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IV.iii.Political Economy of Romantic Literary Labo...
Here it claims the author and the first person “I”as the authentic producer of l
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IV.iv.Sympathetic Life in Things, Silence and the ...
This erasure of female literary labor in “poetic mediality[108]”is not specifica
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IV.v.Nurturing Economy of Feelings, and Phobia of ...
Indeed, William Wordsworth draws an eighteenth-century myth of origins in which
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IV.vi.Conclusion
If we agree that it is by the 1730s the new discipline of aesthetics begins to d