致谢（Credits）

Acknowledgements

I would like to thank all the contributors,creative practitioners,friends and acquaintances who have so generously and willingly agreed to include examples of their work in this book.Thank you for your kind co-operation and open-handedness.

I would like to extend particular thanks to Jack Meyer at Holts Academy for the information kindly provided on the subject of CAD/CAM and to Juliet Rowe for securing the kind co-operation of the formidable House of Lalique,who were after all one of the original pioneers of the jewellery movement.

In alphabetical order,I would like to especially thank all my interviewees for their professionalism and generous spirit;Lara Bohinc,Karen Erickson and Vicki Beamon,Theo Fennell,Maeve Gillies,Katie Hillier,Anne Kazuro-Guionnet,Shaun Leane,Nathalie Mallet,Kasia Piechocka,Dorothée Pugnet,Guy Robertson,Chris Tague,and Stephen Webster.

Special thanks also to Stephen Bottomley at Edinburgh University for access to his talented roster of students and professional perspective.A personal thank you to Professor Simon Fraser,Professor David Watkins,Andrew Marshall and Jan Springer for their pivotal influence in my own career and without whom I would not have been in the position to write this book.(https://www.daowen.com)

I would also like to thank all of the young,talented designers who continue to refresh and push the boundaries of this art form and without whom this book would not have been possible.

Additional thanks to Stephen Webster,Shaun Leane,Nadja Swarovski and Theo Fennell who continue to be an inspiration both to me and to the industry as a whole.

Finally a special thank you to my editor Kate Duffy for her tireless help and guidance.It has been a pleasure working on this exciting publication,which I hope will inspire a new generation of design talent.

The publishers would like to thank Stephen Bottomley and Karen Bachmann.