二、其他文献
Volker R.Berghahn，European Elitism，American Money and Popular Culture.R.Laurence Moore and Maurizio Vaudagna，eds.，（American Century in Europe）.Ithaca and London：Cornell University Press，2003.
Irwin Block，The Life of Pearl Buck，New York：Crowell，1973.
Liao Kang，Pearl Buck：A Cultural Bridge Across the Pacific，Westport，Conn.：Greenwood Press，1997.
Von Dohlen and Richard F.，Culture War and Ethical Theory，Lanham：University Press of America.Inc.，1997.
Emory Elliot，et al.ed.，Columbia Literary History of the United States，New York：Columbia University Press，1988.
Elizabeth J.Lipscomb，Francis E.Webb，and Peter Conn，eds.，The Several Worlds of Pearl S.Buck，Westport，CT：Greenwood Publishing Group，1994.
Beverly Rizzon，Pearl S.Buck：The Final Chapter，Etc Pubns，1988.
Bill Shrink，Foreign Americans，New York：The Guilford Press，1936.
Celin V.Schoen，The Exile's Daughter：A Biography of Pearl S.Buck，New York：Coward-McCann，1944.
Nora Stirling，Pearl S.Buck：A Woman in Conflict，Piscataway：New Century Publishers，Inc，1983.
Leong，Karen Janis，The China Mystique：Mayling Soong Chiang，Pearl S.Buck and Anna May Wong in the American Imagination，Berkeley，Calif.：University of California Press，2005.
Lian Xi，Missionaries Distracted：the Rise of Syncretism in American Protestant Missions in China，1907—1932.Albany：State University of New York，1993.
Ly Doan Cao，The Image of the Chinese Family in Pearl S.Buck's Novels，Shanghai：St.John's University，1964.
Mary Ann Dhuyvetter，China Reoriented：the Realistic Portrayal of Chinese People in the Novels of Pearl S.Buck and Alice Tisdale Hobart，San Diego：San Diego State University，1998.
May M.Chow，A Study of the books of Pearl S.Buck from a Chinese Point of View，Oshkosh：University of Wisconsin-Oshkosh，1977.
Gao Xiongya，Images of Chinese Women in Pearl S.Buck's Novels：a Study of Characterization in East Wind，West Wind，Pavilion of Woman，Peony，The Good Earth and The Mother，Muncie：Ball State University Press，1993.
Stephen Spencer，Reading and Rereading the Thirties：Historical and Social Contexts and the Literary Receptions of Pearl S.Buck，Margaret Mitchell and Zora Neale Hurston，Cincinnati：University of Cincinnati Press，1999.
Alexa Weik，Beyond the Nation American Expatriate Writers and the Process of Cosmopolitanism.San Diego：University of California（San Diego）Press，2008.
Donna Taylor Evans，Pearl Buck and the Theme of Human Equality，Loma Linda：Loma Linda University Press，1972.
Bruce Willard Esplin，A Good Westerner Gone Wrong：Asia-Pacific Identity in Pearl S.Buck's Writing and Activism，Logan：Utah State University，2006.
Zheng Aifang，Perceptions of Chinese Culture and Literature：Pearl S.Buck and Agens Smedley，Bayreuth：Bayreuth University Press，1998.
Sherry Shao，A Comparative Study of The Good Earth with Native Chinese Peasant Novels of 1930s，Hattiesburg：University of Southern Mississippi，1992.
Seu Min Huang，The Changing Nature of Family Values in Pearl Buck's House of Earth，Vermillion：South Dakota State University，1969.(https://www.daowen.com)
Anita Beasley Milner，Pearl Buck's Trilogy：a Portrait of Chinese Family Life，Clinton：Mississippi College，1978.
Li Jianwei，Conflict between Traditional China and Modern China：Social Phenomena and Changer Reflected in Pearl S.Buck's The Good Earth.Waco：Baylor University，1991.
Byung Hee Pottenger，“They Endure“：Ideal Women in Certain Agrarian Novels of Pearl S.Buck，Kyung Nee Park and William Faulkner.Fairbanks：University of Alaska Fairbanks，1991.
Yokota Yuri，Women，Men and Land，Vermillion：South Dakota State University，1987.
Linda Robbins，A Woman's Place：Power and Equality in the Fiction and Non-fiction of Pearl S.Buck.Maryville：Northwest Missouri State University，2005.
Robert Shaffer，Pearl S.Buck and the American Internationalist Tradition，Newark：Rutgers University，2003.
Jessica M.Bradley，The Chinese Literary Tradition of Hsiao-shou in Pearl S.Buck，Maxine Hong Kingston，Amy Tan，Petersburg：Virginia State University，2000.
Luo Xiaoyan，Pearl S.Buck's The Good Earth and Amy Tan's The Joy Luck Club：Women Writers'Interpretations of China.Bemidji：Bemidji State University，2003.
Liu Qin，Chinese Women in the Fiction of Pearl S.Buck，Maxine Hong Kingston and Amy Tan：Discontent and Ambivalence，St.Angelo：Angelo State University，1997.
Goodwill Sanoma，Pearl S.Buck's Concept of the Home-Angel in Three Novels：The Time is Noon，All Under Heaven and The Goddess Abides，Morehead：Morehead State University，1991.
Bernard A.Brungardt，American Literature Supplement：Materials for Teaching The Good Earth and The Grapes of Wrath，Notre Dame，South Bend：Saint Mary's College，1969.
Margaret John Baker，Translated Images of the Foreign in the Early Works of Lin Shu（1852-1924）and Pearl S.Buck（1892—1973）：Accommodation and Appropriation，Ann Arbor：University of Michigan，1997.
Linda K Adkins，The Case of Pearl S.Buck：Neglect and Abandonment vs.Recognition and Recovery，Cedar Falls：University of Northern Iowa，1999.
Li Qishu，Pearl Buck Reconsidered：The House of Earth Trilogy，Farmville，VA.：Longwood College Press，1992.
Bob Riggle，Paper Tigress：Pearl S.Buck's Critical Encounters with Revolutionary China，Oxford：Oxford University Press，1994.
Wu Meiling，The Alter-native：Other，Native and/or Alternative Literary and Cultural Representations of Pearl S.Buck，Eileen Chang and Amy Tan，Binghamton：State University of New York，2000.
Ma Ruiqi，All Under Heaven：The Portrayal of Chinese Women in Pearl S.Buck's Writing，Riverside，CA.：University of California，2003.
Katharine Keh-Wen Sheng，The Chinese People as Interpreted in the Novels of Pearl S.Buck，Knoxiville：University of Tennessee，1968.
Graham Peck，Two Kinds of Time，Boston：Houghton Mifflin，1950.
Nathaniel Peffer，“Review of The Good Earth，by Pearl Buck”，Books.1 March.
Renato Rosaldo，Culture and Truth：The Remaking of Social Analysis，Boston：Beacon，1989.
Sharon R.Gunton ed.，Contemporary Literary Criticism，Vol.18.，Detriot：Gale Research Company，1981.