4.6 Summary
This chapter makes a complete analysis of all the factors contributing to translators'construal of image-G in literary translation based on the conceptual model and theoretical framework of cognitive linguistics and Gestalt psychology and articulates the conceptual connections among these factors.The study first investigates aesthetic embodied basis for translators'construal of image-G which consists of three parts.To be specific,it first investigates aesthetic perception of image-G both as an inbred faculty and as an instruction for cognitive linguistic actualization.And then it elucidates the compositional and influencing forms of various aesthetic factors in aesthetic actualization of image-G in literary translation,namely,aesthetic essence,aesthetic equivalence and aesthetic quality of harmony.At last,to better illustrate aesthetic representation of image-G in literary translation,it explores the aesthetic interaction between image-G schema and cognitive processing as well as translators'conceptual faculty of cognitive processing.Based on the experiential foundation of translators'embodiment of image-G,it makes a comprehensive and exploratory study on five Gestalt characteristics of translators'recognition of image-G,five construal dimensions in their image-G construal and cognitive styles adopted by them in their construal of representation of image-G at three linguistic levels.It reveals that translators'perceptive mechanism and mental processing of construing image-G concerns complex and systemantic conceptual mentalistic experience.Translators'construal of image-G is also cognitively or experientially motivated by their conceptual mentalistic experience.It is clear that our investigation of translators'construal of image-G is not merely a application tool for translators but also endowed with significant experiential and cognitive value.It is indispensable constitutes of cognitive operating steps for image-G actualization in literary translation.
【注释】
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