参考文献

第一章

The Lomax intercutting of Senegalese and Mississippi singers appeared as “African and American Field Songs,” on the LP Roots of the Blues（New York: New World Records 252, 1977）.

Charles C. Jones, The Religious Instruction of the Negroes in the United States（Savannah, GA: Thomas Purse, 1842）, 266.

John W. Work, American Negro Songs and Spirituals（New York:Crown Publishers, 1940）, 32–33.

W. C. Handy, Father of the Blues（New York: Macmillan Compa-ny, 1941）, 33.

第二章

“Still Tops,” Chicago Defender, May 30, 1936, 11.

第三章

The quotation about Billie Holiday is from “Boogey-Woogey Pia-nists To Head Show At Apollo,” Chicago Defender, Aug. 12, 1939, 21.

Dolores Calvin, “Hampton’s Vocalist On Hefty Side In Voice And Physique,” Chicago Defender, Mar. 6, 1943, 19.

Arnold Shaw, Honkers and Shouters（New York: Macmillan, 1978）, 299.

Howlin’ Wolf is quoted in Mark Humphreys, “Bright Lights, Big City,” in Lawrence Cohn, Nothing but the Blues（New York: Ab-beville Press, 1993）, 187.

Buddy Guy is quoted in liner notes to the DVD The American Folk Blues Festival 1962–1969, vol. 3（Santa Monica, CA: Hip-O Records, 2004）.

James Brown with Bruce Tucker, James Brown: The Godfather of Soul（New York: Macmillan, 1986）, 6, 17, 18.

Charles Keil, Urban Blues（Chicago: University of Chicago Press, 1966）, 79.

Bob Dylan, Chronicles, vol. 1（New York: Simon and Schuster, 2004）, 285.

第四章

Gordon Seagrove, “Blues Is Jazz and Jazz Is Blues,” Chicago Daily Tribune, July 11, 1915, E8.

Billy Taylor is quoted in Joachim E. Berendt, The Jazz Book（Brooklyn, NY: Lawrence Hill Books, 1992）, 162.

Ethel Waters, His Eye Is on the Sparrow（Garden City, NY: Dou-bleday, 1952）, 146–47.

Garvin Bushell, as told to Mark Tucker, Jazz from the Beginning （Ann Arbor: University of Michigan Press, 1988）, 19.

Gunther Schuller, Early Jazz（New York: Oxford University Press, 1968）, 252.

Chris Albertson,“Lonnie Johnson,”in Pete Weldon and Toby By-ron, Bluesland（New York: Dutton, 1991）, 42–43.

Count Basie and Albert Murray, Good Morning Blues,（New York:Random House, 1985）, 7–8.

“‘B’Not‘I’Has It Because The Latter Is Swing Not The Blues,”Chicago Defender, Feb. 19, 1944, 8.

Dizzy Gillespie with Al Fraser, To Be or Not to Bop（Garden City, NY: Doubleday, 1979）, 371.

Robert Palmer, notes to Ornette Coleman: Beauty Is a Rare Thing:The Complete Atlantic Recordings（Los Angeles: Rhino Records, 1993）, 16.

Fred Wesley Jr., Hit Me, Fred（Durham, NC: Duke University Press, 2002）, 308.

第五章

Howard W. Odum and Guy B. Johnson, The Negro and His Songs （Hatboro, PA: Folklore Associates, 1964 [reprint]）, 149.

Howlin’ Wolf is quoted in Jas Obrecht, ed., Blues Guitar（San Francisco: Miller Freeman Books, 1993）, 65.

Ronnie Pugh, Ernest Tubb（Durham, NC: Duke University Press, 2002）, 66.

Bobby Bland is quoted in Margaret McKee and Fred Chisenhall, Beale Black & Blue（Baton Rouge: Louisiana State University Press, 1981）, 250.

第六章

James Weldon Johnson, ed. The Book of American Negro Poetry （New York: Harcourt, Brace and Company, 1922）, viii.

Langston Hughes, The Big Sea（New York: Thunder’s Mouth Press, 1986）, 215.