6.6.1 Adaption of image-G based on composite deplo...

更新于 2026年10月13日 版权声明
6.6.1 Adaption of image-G based on composite deployment of different scenario/scene modes

Image-G modulation strategy implies that incoming elements adopted by translators are a Gestalt adaption of image-G based on composite deployment of different scenario/scene modes.Accordingly to Jiang & Quan(2000),scenario/scene modes are often demonstrated to indicate the core scenario quintessence of image-G,which are distinguished from the situational scenario context in a given literary discourse.It should be noted that there are probably several scenario/scene modes embodied in a literary discourse and each contain its own image-G of hyponym hierarchy.Scenario/scene modes come as homogeneous units with clear-cut borderlines and their own image-G of hyponym hierarchies are characterized by a Gestalt experiential prototype of superordinate hierarchy(Xie,1999).Image-G of hyponym hierarchy does not all share the same discrete attributes,but may be linked by family resemblances of Gestalt attributes.In a sense,the scenic unity of image-G of hyponym hierarchy in a given literary discourse is traced in semantic network of Gestalt interrelations and is governed by their relevance and function of superordinate hierarchy.

The composite deployment of different scenario/scene modes integrates a amount of hyponym hierarchies of image-G,which is embodied in the Gestalt homogeneous units of scenario/scene modes.It is evolved within a larger prototypical and conceptual framework of a given literary discourse.This typological finding is then prima facie evidence that translators regard these types of hyponym hierarchies—which might otherwise seem to bear little relation to each other—as a single conceptual entity of Gestalt attributes.Moreover,translators can construe image-G in the composite deployment mode that facilitates them in evoking an easily identifiable Gestalt and a rich Gestalt attribute inventory of superordinate hierarchy,which allows them to become cognizant of the associative and activated attributes of Gestalt modulation.Thus it gives rise to the shared Gestalt conceptual structure on new assumptions and inferences of scenario/scene modes in the adaption of image-G.As a matter of fact,these scenario/scene modes alone do not provide a tidy conceptual structure for either of these hyponym hierarchies of image-G,so they do not really compensate for the lack of conceptual entity embodied in superordinate hierarchy.Taken together,scenario/scene modes may supply a certain conceptual substance to these Gestalt attributes,but they cannot be used as a hard-and-fast distinction between them in the same way that Gestalt attributes can help to distinguish between scenario/scene modes.(https://www.daowen.com)

Summing up at this point,we can say that the composite deployment of different scenario/scene modes of hyponym hierarchy offers an effective and feasible method for the integration of image-G modulation model.In this regard,the adaption of image-G will be seen to be of primary importance and capable of injecting new life in image-G actualization by represented as a Gestalt category of relevant scenario/scene modes or served as a case of constructional Gestalt polysemy.The adaption of image-G provides a means of abstracting relevant Gestalt information of hyponym hierarchy from each mode,then building a situation model of hyponym hierarchy from these information.The problem with this is that situational information can sometimes be necessary to extract propositional information of hyponym hierarchy in the first place.As a consequence,translators will normally probe the general and potential relevance among image-G of hyponym hierarchy in contextual discourse they have construed,even if they do not immediately perceive how the image-G embodied in a scenario/scene mode could link with the others.In addition,translators may need to monitor scenario/scene modes that they realize from their empirical knowledge.The interpretation of these types of modes requires significant inferencing skills.In many respects,translators have to be aware of what is not explicitly stated in literary discourse.This cognitive aspect of comprehension is supplemented by inference which may make implicit modes more prominent in their mind.

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