参考文献
(1)Guide of"18th Biennale of Sydney,https://www.biennaleofsydney.art/about-us/#
(2)Lan McLean,"How Aborigines Invented the Idea of Contemporary Art", Power Publications and the Institute of Modern Art,2006
(3)Terance Maloon,"Aboriginal painting: Strong and beautiful abstracts survive the cultural dislocation",Sydney Morning Herald,9January1982
(4)Nicholas Baume,"The Interpretation of Dreaming: The Australian Aboriginal acrylic movement", Art & Text,33,Winter 1989
(5)ANKAA Arts Backbone,Volume 12:Issue 1,August 2012
(6)Marie West,"Rarrk Master"in Natasha Bullock (ed.), John Mawurndjul: I Am the Old and the New, Sydney and Adelaide: Museum of Contemporary Art Australia and Art Gallery of South Australia, 2018
(7)http://www.kooriweb.org/bell/debates.html
(8)http://arts.gov.au/sites/default/files/indigenous/ivais/ivais-factsheet.pdf
(9)http://arts.gov.au/sites/default/files/indigenous/indig-art-centres-strategy-action-plan.pdf
(10)http://www.arts.gov.au/cgp
(11)http://www.studioteaching.org/
(12)http://artbank.gov.au/
(13)http://www.dcita.gov.au
（14）宁琤.澳大利亚私人基金会与艺术赞助——有关的三个经典案例分析.中央美术学院人文学院硕士论文，2005
（15）王宇博.澳大利亚史.南京：江苏人民出版社，2017
（16）宾格汉姆编.澳大利亚土著艺术与文化.天津：天津教育出版社，2009
（17）毕宙嫔.诗性智者——澳大利亚诗人朱迪思·赖特研究.苏州大学博士论文，2010
（18）马丁·雅克.当中国统治世界：中国的崛起和西方世界的衰落.北京：中信出版社，2010
（19）中华人民共和国驻澳大利亚大使馆经济商务参赞处：http：//au.mofcom.gov.cn
