结语
神经-影像联结了德勒兹哲学与神经科学,构建了一个跨学科的数字媒介景观。德勒兹与瓜塔里的精神分裂分析构成神经-影像的理论基础,精神分裂分析的谵妄、幻觉与情动三重力量,使神经-影像不断向着游牧的形态发展。“大脑即银幕”的判断,交代了银幕影像如今存在于当代艺术的实践中,影像以一种新的方式在神经-影像中延续,以及神经-影像与大脑之间的密切联系。大脑也是一个开放的档案,可以生成新的数据库。最后,在德勒兹的三重时间综合基础上,神经-影像将未来时间综合作为自己的本体论,但是三重时间会向彼此敞开,随时生成新的强度。
这是神经-影像最生动的地方:不建立绝对的二元论。神经-影像本身便是一个生成事件。毕竟德勒兹与瓜塔里当初提出无器官身体的时候,也不是站在二元论的绝对对立面去阐释的。无器官身体同样可以保留少数主体。在某种程度上,神经-影像是运动-影像与时间-影像的延续,三者之间可以互相转化。而神经-影像与神经科学的方法论联系,则可能需要作者在媒介技术与科技迅速更新的当下做进一步的澄清。
【注释】
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